D&R Broadcast Mixing Consoles
D&R Broadcast Mixing Consoles
since 1972
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Short product information
The professional 8-channel broadcast mixer
Airmate-8 USB is a compact yet powerful broadcast mixer designed for professional radio studios.
It offers eight flexible channels that easily handle microphones, line sources, and computer audio at the same time. With high-quality mic preamps, phantom power, inserts on key channels, and precise 3-band EQ, it delivers clean, reliable sound for both speech and music. Designed with real broadcast workflows in mind, the Airmate-8 USB combines professional audio performance, intuitive operation and long-term reliability.
Airmate-8 USB broadcast mixer
With options like VoIP, WPC, AES output, RIAA pre-amp
Price: € 2.045,00 (standard version)
Highly reliable, modular and a beast on-air
Built with a rugged welded steel frame and an analog signal path controlled digitally, it combines the best of classic audio quality with modern flexibility and dependability, proven by over 900 units deployed in studios worldwide.
Unlike fixed mixers, the Airlab-DT lets you customize your configuration with up to 16 module slots. You can mix and match triple input modules, USB audio, AES digital, Telco phone connections, VoIP channels, and optional control modules, so the console grows with your needs and broadcast workflow.
Airlab-DT broadcast mixer
With options like EQ, POTS, USB, AES, VoIP & WPC channel modules
Price: € 6.286,50 (standard version)
Hello, can you see me?
You want to take your live radio show to the next level?
CamCon Visual Radio Trigger Unit is a smart broadcast accessory thats turning audio into dynamic visuals. Designed to integrate seamlessly with your studio setup, the CamCon works together with its control software and OBS Studio (free streaming software) to automatically switch cameras and scenes based on who is talking, bringing your broadcast to life and giving listeners a richer, more engaging experience.
CamCon
The visual radio trigger unit
Price: € 520,00
Get inspired...
Long before audio was visualized on screens, it was measured by instinct.
Early broadcast engineers worked with little more than analog meters, soldering irons, and the belief that every signal deserved clarity. In radio rooms thick with heat and static, mixers weren’t just tools, they were decision-makers.
One wrong gain stage could bury a voice. One noisy circuit could erase a moment.
So engineers obsessed over the details.
They learned how impedance affected tone, how headroom preserved emotion, how clean summing could make the difference between noise and nuance.
They chased quieter preamps, smoother faders, and more reliable signal paths, not for specs on paper, but because someone, somewhere, was listening.
As broadcast evolved, from AM towers to FM, from analog tape to digital workflows, the mission stayed the same:
Capture the source, preserve the truth and deliver it intact.
Modern audio mixers stand on that legacy.
Inside every chassis is a conversation between physics and precision:
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Mic preamps engineered for transparency, not coloration
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Gain structures designed to protect dynamic range
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Clocking and converters tuned for stability and accuracy
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Control surfaces built for hands that move instinctively, not accidentally
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A mixer doesn’t just combine signals, it manages trust.
